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Veteran
lyricist Anand Bakshi passed away in Mumbai
on March 30, 2002. He had been ailing for quite
some time and was undergoing treatment for lung
and heart related problems. Bakshi was perhaps
the only lyricist apart from Majrooh
Sultanpuri who enjoyed such a long and illustrious
career and who was still going strong after
more than 43 years since he broke through in
Hindi films as a lyricist.
Born
in Rawalpindi, Bakshi was an avid film buff
and always dreamt of coming to Bombay to join
the Film Industry. His early dream was to become
a successful playback singer and not a lyricist.
So passionate was Bakshi about joining the film
industry that he ran away from home and joined
the Navy with the hope of reaching Bombay. However
the Naval Mutiny in Karachi ended his career
in the Navy. After the partition of the Indian
subcontinent into India and Pakistan in 1947,
Bakshi returned to his family in Lucknow. A
short stint as a telephone operator followed
but he was still determined to move to Bombay.
But
he could make no headway in Bombay. Dejected
and disillusioned, Bakshi went back to Delhi
and worked with the EME as a motor mechanic.
But Bakshi persisted with his efforts to join
the Film line and kept coming back to Bombay
to try his luck. His persistence finally paid
off when a chance meeting with actor Bhagwan
materialized into an offer to write the lyrics
for Bhagwan’s film Bada Admi (1958).
Followed more long periods of struggle till
he began to get noticed with his work in the
films of Suraj Prakash - Mehndi Lagi Mere
Haath (1962) and Jab Jab Phool Khile
(1965). The latter film particularly brought
Bakshi to the fore with the song Pardesiyon
se Na Ankhiyaan Milana proving to be most
popular. It was Milan (1967) however
that finally took Bakshi to the top. Songs like
Sawan ka Mahina, Bol Gori Bol,
Ram Kare Aisa Ho Jaye, Main to Diwaanaa
and of course Hum Tum Yug Yug Geet Milan
ke were hummed in every corner of the country.
Anand Bakshi had arrived. And from then
onwards he never looked back.
Followed
a golden period for Bakshi whose association
with Lakshmikant-Pyarelal and R.D.
Burman led to such musical milestones like
Farz (1967), Do Raaste (1969),
Bobby (1973), Amar
Akbar Anthony (1977), Ek Duje ke Liye
(1981) with the former and Kati Patang
(1970),
Amar Prem (1971) and
Hare Rama Hare Krishna (1971), just
to name a few, with the latter. Of these his
work in Amar Prem particularly stands
out and was among his favourites. Shakti Samanta
heard Bakshi recite Chingari Koi Bhadke
at a 'kavi samelan' and incorporated it specially
into the film. Other masterpieces in this film
include Bada Natkhat Hai, Kuch to
Log Kahenge, Yeh Kya Hua and Raina
Beeti Jaaye. Mention must also be made of
his association with filmmakers
Raj Kapoor (Bobby, Satyam Shivam
Sundaram (1978)), Shubash Ghai (Karz
(1980), Hero (1983), Karma (1986),
Ram Lakhan (1989), Saudagar (1991),
Khalnayak (1993) to Taal (1999)
and Yaadein (2001)) and Yash
Chopra (Chandni (1989), Lamhe
(1991), Darr (1993), Dil to Paagal
Hai (1997)). Bakshi has also sung in the
film Mom ki Gudiya (1972) - Baaghon
Mein Bahaar Aayi with none other than Lata
Mangeshkar. Recalls Lata
"I
remember before the song was recorded he came
up to me and said 'since I'm going to sing with
you, the song is bound to be a success.'"
Bakshi's
strength was that he wrote simple poetry which
could be understood by one and all. He was also
one of the few lyricists who made it a point
to attend all the recordings of his lyrics.
In fact according to him
"The
lyrics of any song depend on the story, the
theme and the situation for which it is created.
A song can be written to match any mood, occasion
or whatever age group the script demands. So
whether it is a story of the sixties/seventies
period or today, it doesn't really make a difference."
Among
various honours bestowed upon him, Anand Bakshi
won the Filmfare Award for Best Lyricist four
times - Apnapan (1977) (Aadmi Musafir
Hai), Ek Duje ke Liye (Tere Mere
Beech Mein), Dilwale Dulhania Le Jaayenge
(1995) (Tujhe Dekha to Yeh Jaana Sanam)
and Taal (Ishq Bina). He is survived
by his wife, two sons and two daughters.
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