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Baaz

 

Hindi, Swashbuckler, 1953, B/W


16th century, the Malabar Coast. General Barbosa (KN Singh) signs a treaty with the queen (Sulochana) of a small state giving the Portuguese right to trade in exchange for military protection. With the help of the queen’s nephew Jaswant (Jaswant), he begins to meddle in the administration as well. He arrests merchant Ramzan Ali and his friend Narayan Das. Das’ daughter Nisha (Geeta Bali) tries to save her father but is caught by Barbosa and both are sold to a cruel Portuguese pirate Cabral. Cabral kills Narayan Das. Nisha rouses her fellow slaves to revolt against Cabral and once Cabral is killed Nisha becomes a pirate queen pillaging all Portuguese ships in sight. One such ship includes heir to the throne Prince Ravi (Guru Dutt), a Portuguese woman Rosita (Kuldip Kaur) and a court astrologer (Johnny Walker). Nisha spares their lives as Ravi had saved her. They inevitably fall in love. Ravi joins the mutineers without revealing his identity. Back on shore, Ravi learns Jaswant is to be crowned king. Ravi is arrested and sentenced to death. Nisha saves him and they join forces with other local chiefs to defeat Barbosa.



Even the most ardent of Guru Dutt’s fans readily admit that Baaz (1953) is undoubtedly his worst film and a total misfire. His third film, following the huge box office success of Baazi (1951) and an average response to Jaal (1952) (both noirs), Baaz sees Guru Dutt debut as both - a leading man and producer (the film is co-produced with his heroine, Geeta Bali’s sister).

The film, a costume drama set in the 16th century, is supposedly a swashbuckler set amidst the high seas and looks at the rebellion against Portuguese rulers along the Malabar Coast. Sadly, the story is awful, the screenplay woeful, dialogues unintentionally funny and there are but a handful of sequences which bear the so-called ‘Guru Dutt’ touch like the song Watan ke Naujawaan Jaag which as it builds up to a crescendo sees Cabral killed accompanied by the strains of a shrieking conch. The film is unable to successfully blend the elements of patriotism, action, and romance and consequently none of the tracks work even remotely satisfactorily. To make thinks even worse, the special effects are abysmal to say the least with the main ship used in the film looking like a pathetic toy boat!

As a leading man, Guru Dutt is just about passable and his performance is unremarkable and strictly average as are most of the rest of the cast but Geeta Bali more than manfully rises above the trite script and carries the film on her able shoulders as the firebrand pirate queen, Nisha. Kuldip Kaur vamps it up deliciously as Rosita, a Portuguese woman who has her sights on Ravi.

The real stars of the film and its major saving graces however are Music Director OP Nayyar and playback singer Geeta Dutt. The songs are brilliant – Zara Saamne Aa, Manjhi Albele, Ae Dil Ae Deewane, Taare Chandni Afsane, Watan ke Naujawaan Jaag, all Geeta solos and that Talat Mahmood gem – Mujhko Dekho Hasrat ki Tasveer Hoon among others.

The hostile critical and commercial reaction to Baaz made Dutt retread the safer world of noir – Aar Paar (1954) and the rest as they (always) say is history!


Upperstall review by: TheThirdMan


Ae Dil Ae Deewaane – Geeta Dutt
Zara Samne Aa – Geeta Dutt
Manjhi Albele – Geeta Dutt
Tare Chaandni Afsaane – Geeta Dutt 
Mujhko  Dekh Hasrat ki Tasveer Hoon – Talat Mahmood
Watan ke Naujawaan Jaag – Geeta Dutt
Jage Panchhi Savera Hua - Geeta Dutt 
Jo Dil ki Baat Hoti Hai – Mohd. Rafi



  • Comments
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  • TheThirdMan on Love Sex Aur Dhokha:
    To be honest, maybe it's a good thing for LSD that I did not review the film as it did not really ge
  • bhaskar on Love Sex Aur Dhokha:
    good movie.
  • TheThirdMan on One-on-one with Suriya:
    Thanks everyone for your comments. @Akash: High time for Suriya the actor to choose his films now
  • Tamilboy on One-on-one with Suriya:
    Ahhh Karan, this is a great read man! I have had the privilege of being in the same school and cl
  • Anand Subramanian on One-on-one with Suriya:
    Insightful indeed ! Karan has the ability to dig deeper to reveal small details that make his writin

 



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