mp3:
mera pehla pehla pyaar - a re-review |
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Starring |
Ruslaan Mumtaz,
Hazel, Manoj Pawa, Kanwaljit Singh,
Gaurav Gela, Neelu Kohli, Rinku Patel |
Story,
Screenplay and Dialogues |
Robby Grewal,
Sameer Kohli, Arshad Sayed
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Choreography |
Remo |
Editing |
Aarif Sheikh |
Cinematography |
Amitabha Singh |
Music |
Dhruv Ghanekar,
Ashutosh Pathak |
Produced
by |
Red Ice Films |
Directed
by |
Robby Grewal |
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MP3: Mera Pehla
Pehla Pyaar, is an ice cream, which despite
the fact that you know the flavor and what to
expect there’s a little zest in it that
takes you by surprise. When every film released
nowadays builds itself an acronym, the producers
have in this case decided to ease things for the
acronym coiners and give it themselves. So to
start with MP3 is what they have decided
to call it.
If fresh is a good word in context to cinema,
then MP3 is fresh – not off the
field fresh but fresh no matter. Almost everything
about it has a refreshing feel to it – be
it the performance of the lead pair, Ruslaan and
Hazel, the supporting cast, the music by Ashu
& Dhruv or the wonderful title track by Vipin
Mishra.
MP3 is a love story, very typically love story,
but also not the kind one is used to seeing in
Hindi movies. It is boy meets girl, they fall
in love and no bad guys or parents get in the
way. The antagonist in this love story is the
protagonist himself – which is what makes
it different from your run of the mill love story.
Rohan (Ruslaan) is a happy go lucky, spoilt only
kid of a rich Delhi family, need one say more.
Ayesha (Hazel) is the new kid in town, fresh from
London and obviously friendless. They meet, she
falls in love but he is almost too cool to do
so. Almost, cause sooner rather than later he
starts to do so. Things start going wrong the
moment he falls in love, all of it brought on
himself – ha, the typical macho ‘Dali
boy’. They fight, she leaves for Paris on
a holiday and with estrogen raging, he follows
her there. The climax is for the faint hearted
so watch it with no risk at all.
The best thing going for the film is the lead
pair – they both work wonderfully well,
Ruslaan is invigorating to say the least, and
Hazel has an innocence about her that makes you
want to protect her. They are both naturals and
have been cast well, Hazel as the London returned
girl with her accented Hindi and Ruslaan as the
spoilt kid who wants to be the most popular dude
in school. Their chemistry is wonderful, some
of the moments (like the one when he thanks her
for her ‘I’m sorry’ card) sublime.
The supporting cast is good – each using
his or her space well. A special mention must
go out to Neelu Kohli and Manoj Pahwa as the caricatured
Punjabi couple in Paris, Kanwaljeet is wonderful
as Rohan’s dad and Gaurav Gera is pleasant
as Sameer.
On
the technical side, Ashu & Dhruv’s music
is the best thing about the film. There is a lovely
background score and the songs are all fresh and
nice, especially Kaun Hoon Main which
is instantly hummable and captures the moment
very well. Amitabha Singh's cinematography is
average, having seen far better from him, it could
be said even a tad disappointing. The film could
have looked much more youthful than it did and
there is many a time that you wish that the visual
has far more energy than it does.There isn’t
much to say about Aarif Sheikh’s editing
which is not to say that it is bad. It’s
never in your face and lets the story take its
course. Though in a film targeted at today’s
youth you would have expected him to up the jazz
a bit, but he has stuck to the tried and tested
way. Remo’s name appears in the credits
as the choreographer – sorry but I guess
I missed his contribution.
But MP3, like an ice cream does tend
to melt and it is a little soft at the centre.
What doesn’t work for it at all is the screenplay,
and that is the bane of the film. Which is almost
nullifying all the good things said about the
film this far. The filmmakers could have looked
at a structure that helps engage audiences a little
more. Cute is nice, but cute comes from performances
and music, interesting is what the writers and
director make it and sadly that is what MP3 lacks.
There are scenes where you wished that they had
taken a little more effort on the dialoguess –
a little more effort that could have pushed the
film that much more in the right direction. Robby
Grewal as a director has done better, much better,
with Samay – a different genre
yes but a far superior film.
Like every supporter my heart goes out to the
underdog and MP3 is an underdog. No stars,
no big name music director and a director only
on his second film. Every once in a way a little
film pops which you watch and your heart says
yes but your head says no. MP3 is one
of those.
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