Madhubala
was without doubt the most beautiful Hindi
Film heroine ever. And also perhaps the
most underrated actress ever with her beauty
attracting more attention than her performances.
She was brilliant in comedy with her sense
of comic timing spot on and she came up
with performances of high dramatic calibre
in Amar (1954) and the unforgettable
Mughal-e-Azam
(1960).
Born
in abject poverty, the 5th of 11 children,
Madhubala began life in the film world as
a child star, Baby Mumtaz, in films like
Bombay Talkies Basant (1942). It
was Kidar Sharma who gave her a break as
heroine opposite Raj Kapoor
in Neel Kamal (1947).
However
it was with the Bombay Talkies suspense
thriller Mahal
(1949) that Madhubala became a star.
Aaega aanewala from the film remains
her signature song till today! A spate of
films followed opposite the top leading
men of the day - Ashok Kumar,
Rehman, Dilip Kumar,
Dev Anand
but by the mid 1950s when some of her major
films like Mehboob Khan's
Amar flopped, Madhubala, the most
beautiful actress in the country was declared
'box office poison!' Further, she had gotten
involved with Dilip Kumar and this took
its toll on her as she could not face her
father's opposition of him and ultimately
had to bow out of Naya Daur (1957)
opposite him following a scandalous court
case.
She
however bounced back with a string of hits
in the 1958-60 period - Phagun (1958),
Howrah Bridge (1958), Kala Pani
(1958), Chalti ka Naam Gaadi (1958)
- all among her more memorable films and
of course Mughal-e-Azam (1960).
As
the club dancer in Howrah Bridge
Madhubala never looked more beautiful or
alluring as she swayed to the seductive
notes of Aaiye Mehrbaan. And she
matched Kishore Kumar
step by step in his madcap antics in
Chalti Ka Naam Gaadi. However it was
Mughal-e-Azam that saw perhaps her
greatest performance as the doomed courtesan
Anarkali. The film showed off the finely
modulated depth she could bring to her performances
if given the opportunity. It is an outstanding
performance in an outstanding film.
Tragically
by now she was diagnosed as having a hole
in her heart and her illness forced her
to abbreviate her career. She also plunged
into a loveless marriage with Kishore Kumar
and lingered on for nine years till her
death in 1969.
She
did have the odd release in this period
like Passport (1961), Half Ticket
(1962) and Sharabi (1964) but
they were mostly old films that managed
to limp towards release. In fact Jwala
released almost two years after her death
in 1971! She did try making a comeback opposite
Raj Kapoor in Chaalaak (1964) but
collapsed on the sets on the very first
day of shooting and the film was shelved.
Even
today the very mention of the name Madhubala
conjures up the image of those dancing eyes,
that lopsided smile...
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